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The Singer Chenard, as a Sans-Culotte, 1792. Artist: Boilly, Louis-Leopold (1761-1845)
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The Singer Chenard, as a Sans-Culotte, 1792. Artist: Boilly, Louis-Leopold (1761-1845)
The Singer Chenard, as a Sans-Culotte, 1792. Found in the collection of Musee Carnavalet, Paris
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Media ID 15026046
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Bloody Regime Boilly Counter Revolution French Revolution Girondins Jacobins Louis Léopold 1761 1845 National Assembly National Convention Political Terror Sans Culottes Musee Carnavalet Sans Culotte
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EDITORS COMMENTS
The Singer Chenard, as a Sans-Culotte: A Glimpse into Revolutionary France". This print showcases Louis-Leopold Boilly's masterpiece, "The Singer Chenard, as a Sans-Culotte" painted in 1792. Housed in the esteemed Musee Carnavalet in Paris, this portrait transports us back to the tumultuous era of the French Revolution. Boilly skillfully captures Simon Chenard, an acclaimed singer and fervent supporter of revolutionary ideals. Dressed as a sans-culotte - symbolizing his allegiance to the common people - Chenard exudes passion and determination. His eyes reflect both hope for change and defiance against tyranny. Neoclassical elements dominate this painting; its composition reminiscent of ancient Greek sculptures that celebrated heroism and virtue. However, beneath this veneer lies a deeper narrative of political turmoil and social unrest. During this period, France was engulfed by counter-revolutionary forces seeking to dismantle the progress made by the National Assembly and later the National Convention. The sans-culottes played a pivotal role in defending these revolutionary gains but were also associated with political terror under Jacobin rule. Boilly's work serves as a stark reminder of the bloody regime that characterized this time. Through meticulous brushstrokes on wood paneling using oil paints, he immortalizes not only Chenard but also an entire generation caught up in one of history's most transformative events. As we gaze upon "The Singer Chenard,
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