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The Flagellation of Christ, c. 1640. Creator: Stomer, Matthias (ca. 1600-after 1650)
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The Flagellation of Christ, c. 1640. Creator: Stomer, Matthias (ca. 1600-after 1650)
The Flagellation of Christ, c. 1640. Found in the Collection of Koelliker Collection
Heritage Images features heritage image collections
Media ID 19061993
© Fine Art Images/Heritage Images
1640 Calvary Christ Carrying The Cross Cross Crucifixion Ecce Homo Flagellation Flagellation Of Christ Golgotha Golgotha Hill Jerusalem Man Of Sorrows Mourning Passion Passion Of Christ Passion Of The Christ Passion Procession Stomer Suffering And Agony Of Jesus The Flagellation Of Christ The Road To Calvary Via Dolorosa Way Of The Cross Whipping
EDITORS COMMENTS
This print showcases "The Flagellation of Christ" painted by Matthias Stomer around 1640. The artwork, part of the esteemed Koelliker Collection, beautifully depicts a pivotal moment in Christian history. Stomer's mastery is evident as he portrays the suffering and agony of Jesus during his flagellation. Set against a backdrop reminiscent of Golgotha Hill, where Christ was crucified, this Baroque masterpiece captures the essence of biblical narrative with its attention to detail and emotional depth. The artist skillfully conveys Christ carrying the cross on his way to Calvary while enduring unimaginable pain. Stomer's use of oil on canvas brings forth vibrant colors that enhance every brushstroke, making this painting truly come alive. Through this work, viewers are transported to Jerusalem and can almost feel the weight of Jesus' burden as he walks along Via Dolorosa. "The Flagellation of Christ" serves as a powerful reminder for Christians worldwide about the sacrifice made by their savior. It evokes feelings of mourning and reverence for those who witness it firsthand or through reproductions like this one. As we contemplate this image, let us reflect upon our own faith journeys and find solace in knowing that even amidst suffering, there is hope for redemption. This print preserves an important piece of religious art history and invites us all to connect with its profound message.
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